WAYANG GOLEK, Sunda's Culture


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Wayang golek (literally, "rod puppets") is a traditional form of puppet theatre prevalent in Java, Indonesia. It dates back to the early 16th century and combines Hindu stories with Buddhist and Muslim ideas and Javanese folklore.


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Asal-Usul Wayang Golek. Wayang golek pertama kali diperkenalkan oleh Sunan Kudus pada tahun 1583 sebagai sarana untuk menyebarkan ajaran Islam. Sunan Kudus membawakan cerita kehidupan sehari-hari dengan nilai-nilai Islam, diselingi dengan humor untuk memikat perhatian para penonton. Pada awalnya, wayang golek hanya digunakan oleh santri dan ulama.


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Wayang Wayang Golek, Indonesia1 Bandung, Culture, Traditional dance

Wayang golek menak or "menak" rod puppet theatre is a form of traditional puppetry practiced in central Java, including Yogyakarta. It most likely originated in the nineteenth century, developing out of earlier puppet forms. The word menak refers in Javanese to the heroic and amorous adventures of the Islamic hero Amir Hamza, also known as Amir Ambyah or Wong Agung Menak ("Big


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Agus Gunawan. In Indonesia, the two major forms of puppetry are kulit and golek. Kulit is performed in East and Central Java and uses leather puppets to cast shadows on a screen; in contrast, golek features wooden puppets, and is performed primarily in West Java. Wayang golek is performed for special occasions, such as weddings and birthdays.


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Wayang Golek

The two most popular are Wayang Kulit (shadow puppets) and Wayang Golek (rod puppets) Wayang means puppet. Kulit means leather (as all shadow puppets are made out of animal hide) Golek means rod (as the puppets are operated by wooden rods) Therefore, Wayang Golek means Rod Puppets. Traditional Wayang Golek plays can be compared to European and.


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Wayang golek were used to tell stories of Hindu epics, Javanese histories, and the Islamic Menmak cycle, which recounts the many adventures of Amir Hamzah, Muhammad's uncle. The dalang, or puppet master, moved the puppets and spoke their parts, often set to the music of a gamelan orchestra. Performances took place in villages during holidays.


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Wayang Golek plays a crucial role in preserving Indonesian cultural heritage, ensuring that these traditional crafts and epic tales continue to be appreciated for generations to come.. This includes the creation of audio and video recordings, as well as written documentation of the scripts and narratives. By documenting these performances.


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What is Wayang Golek? Muslim ideas and Javanese folklore. Often the stories depict tales from the Ramayana and Mahabharata, illustrating conflicts culminating in the triumph of good against evil. Each puppet has a carved and painted head with an elaborate headdress. Using rods, the puppeteer manipulates the arms of his characters and can work.


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Indonesian rod puppet (wayang golek) performances are a kind of blessing bestowed on special events such as circumcisions, weddings, celebrations of the ancestors, and other rites of passage and public events.The performers may be hired by an individual or a family holding a life cycle ceremony, or by an entire village. A performance is meant to engage all members of the community.


WAYANG GOLEK, Sunda's Culture

The term for puppetry, wayang, comes from the Indonesian word for shadow bayang . Wayang kulit, shadow puppetry using figures made from water buffalo hide, is considered to be the oldest freestanding puppet form; the earliest references to it date from the 800s. A court poet during the reign of King Airlangga (1035-1049) wrote: "There are.


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